Paul Antón

“You can expect anything but the unexpected. I believe that uncertainty has been our greatest enemy during these times. Most people in the First world know what to expect in everyday life and what to expect from life. Some are more ambitious and some are more conformist, but each of us tends to have a hope scheme and a plan. This impact named COVID19 has left many of us mentally naked, with a lack of planning and apparently without freedom.

However, I believe that only now, many of us have understood what freedom or inner freedom really are. ‘...External circumstances can deprive us of everything, except for one: the freedom to choose how to respond to those circumstances…’ used to say the Austrian neurologist, psychiatrist and philosopher Victor Frankl, after having passed through several Nazi concentration camps among which, in one of them, he managed to managed to write, the best he could, about what afterwards would be the origin of speech therapy.

It has been some time since I have been practicing meditation techniques and it is curious how my teacher, the author and public speaker, former Buddhist monk Andy Puddicombe, always talks about not trying to change the emotions and thoughts that arise within us, but to work on how our relationship with them is. Do not shy away from them but to welcome them, relate to them and respond in a healthy way with full attention.

A year ago I finished reading Eduardo Chillida's recently edited book of writings. A phrase of his that stuck in my mind keeps accompanying me: ‘Planners, blinders of the future’. I do not believe in fate, I am a true defender of freedom, but I believe in the circumstances and how we can react freely. Every day when I get up, I do the exercise of opening my eyes and my heart for a few seconds while I repeat Eduardo's phrase: Planners, blindings of the future.

‘Planners: blinders of the future’, Paul Antón

Hiru Kezka


solid exaduro plaster and black lacquered steel

72 x 48 cms (each)

About the work

In Basque, "Hiru Kezka" means "three concerns". The polyhedral protrusions that emerge from the white base canvas are intended to mean those responses of inner freedom to the canvas on which we all move, that is, the circumstances. Therefore turning concern into occupation. Each answer is different because each person is free, however, sometimes, even more during this COVID19, the circumstances have been similar for everyone. Same canvas with different answers.

PA 690 x 900 BN

Paul Antón (Pamplona, 1987)

Paul Antón finishes his degree and Master studies in Architecture at the University of Navarra in 2013, subsequently moving to London where he has worked for several years in Norman Foster's studio. In October 2016 he started his Master of Fine Arts studies at the University of the Arts London in the Wimbledon College of Arts, where he developed his artistic practice around the concept of Spatiography. The artist has been nominated for the Clifford Chance Sculpture Award in London. In 2018 and 2019 Antón has exhibited in Valencia at Galería Vangar and in 2019 also in 1d3 by Nomos in Palm Desert, California.

Paul Antón’s practice deals with the relationships between Form and Matter in Space. The generation of the forms get materialized and placed together until there is an activated relationship between them and the space where they are placed.

The artist establishes a back and forth system, where everything is spatially thought out and interlinked. He produces paintings, drawings and models and assembles them testing structures and settings until the elements connect to the surrounding space and enjoy a condition of dialogue among them.

These poetical assemblages try to generate a mindful feeling of presence within the space: an experience arrived at through the composition and presence of materials. The handling of proportions and the effect of light. A quiet interplay of atmosphere and potentiality.

Anton wants to provoke a sensorial trip with elements placed together and interlocked in space to achieve an experience. All the while the resemblances to designed daily elements invite you to be mindful in the act of observation.